Reviews on this page
To My Star
A tsundere chef, a damaged, eccentric celebrity, nosy reporters, and an odd but somehow intimate relationship forming between two unlikely roommates … To My Star has all the right ingredients for a great Korean BL. Like the dishes chef Han Ji Woo makes, it will be interesting to see if this drama remains warm and delectable or if it grows cold and less than appetizing.Review by Regina Ryals
Starring actor Son Woo Hyun as eccentric celebrity Kang Seo Joon and actor Kim Kang Min as chef Han Ji Woo, To My Star is a Korean BL drama about an unlikely pair thrown together by circumstance.
Because one of the lead characters of To My Star is a chef, let’s look at this drama like a recipe. From the onset, To My Star serves one essential appetizer. At least for me. I have a soft spot for quirky, noticeably damaged, and vulnerable characters who use good humor and smiles as a shield to protect themselves from the outside world. Unconventional, off-the-beaten-path celebrity Kang Seo Joon offers me just that.
The drama opens with Seo Joon being pursued by the paparazzi. It’s apparent from the expert way his manager appears that Seo Joon is no stranger to scandal and pursuit. Whipped away before the reporters can get to him, Seo Joon asks for a restroom stop on the way to his agency. This leads to a fateful meeting with cold-mannered chef Han Ji Woo.
Let the cooking class begin because this, my dear friends, is where all the essential ingredients for a good drama must come together to create a successful dish. With To My Star, there are the tried and true drama ingredients we all know and love as well as a few unique additions that add depth and spice.
A Tsundere Lead
For anyone familiar with Japanese mangas/anime, a tsundere character is someone with an initial cold persona who eventually warms up to a situation. Tsundere leads are no strangers to Asian dramas in general, and they are prevalent in BL fiction. Enter Han Ji Woo, a quiet, distant chef at a small restaurant who runs into Kang Seo Joon when the actor stops in to use the restroom. Han Ji Woo is everything one would expect from a tsundere lead: mysterious, rigid, and unusually calm. He is intriguing, his body language and eyes speaking much louder than words.
The reason characters like this are so popular is because they leave viewers needing to know more. Why is he so cold? Why is he so distant? Why is he so set in his ways? Han Ji Woo is no exception. I most certainly need to know more, and the desire to continue tasting the food after the first bite is vital for a perfect dish.
No Love Lost
Our two leads are instantly at odds with each other. Although Kang Seo Joon has a friendly personality, the celebrity has grown used to fame and comfort. With it, he’s developed certain expectations and habits which come across as arrogant to strangers. While I felt Seo Joon’s hidden warmth from the moment he was introduced on screen, his first meeting with chef Han Ji Woo doesn’t prove to be a successful one.
Although the restaurant Ji Woo works at has yet to open, Seo Joon barges in, demands food, and then rushes into the bathroom. Surprisingly, despite all of this, Ji Woo prepares breakfast for Seo Joon only to have it refused due to the actor’s distaste for eggs. To make matters worse, Seo Joon offers both money and an autograph to the unamused chef. This sets the stage for an upcoming battle of wills between two polar opposite people; a chef who values privacy and honesty and an actor who both seeks and avoids public attention.
Embroiled in a scandal involving an alleged fight, Seo Joon is sent to stay at an apartment owned by his agency’s CEO. The home is being rented by Han Ji Woo who has no idea his place is about to be invaded by the actor he’d met by chance.
As with their first meeting, their second encounter is awkward and less than stellar. Seo Joon barges into Ji Woo’s apartment with no warning and immediately makes himself at home, straining an already strained relationship.
This is where we begin to see glimpses of Seo Joon’s hidden pain and insecurities. He consistently offers Ji Woo money. This makes him appear entitled, but it also reveals that money is all people expect from him. While this chipped away at my heart, it is Seo Joon’s loneliness that broke me. With a plastered smile on his face, dimples flashing, he seeks attention and comfort from Ji Woo in odd ways.
Although there is no outward indication that these two may someday stumble into a relationship, the first spark of interest comes from Kang Seo Joon when the actor eats the leftover cold dish the chef made for him the morning they met.
It doesn’t stop there.
Being a popular actor in the entertainment industry may be a prolific career, but it is a lonely one plagued by a constant invasion of privacy and personal insecurities. To My Star does a beautiful job of highlighting this with Seo Joon’s sudden panic attack after a reporter throws a stone at the apartment in an attempt to force the actor outside. Afterward, Seo Joon asks Ji Woo to watch a movie with him before bed because he has a history of nightmares if he falls asleep while anxious. He tends to dream about being stoned. I found myself moved by how he subconsciously views himself, as if he is nothing more than a dartboard waiting for the darts to sink into his flesh. Sadly, most of the pain we receive in life isn’t pain we cause ourselves; it is pain caused by others. Seo Joon represents that kind of pain. He is a receptacle of other people’s opinions of him, and he’s learned to hide the hurt it has caused behind smiles and lighthearted gestures.
One of the most endearing qualities about To My Star is its eccentricities. The fun idiosyncrasies the writers give Kang Seo Joon adds a unique element to this drama that lends an interesting twist to the lead characters’ dynamic. This is most obvious in a scene where Seo Joon tries desperately to pop a zit on Ji Woo’s neck despite Ji Woo’s refusal, causing an awkward and amusing tussle between the two that ends with Ji Woo leaving and Seo Joon smiling.
Seo Joon’s charm lies in his odd personality. He pushes when he should pull, dives in when he should test the water first, and speaks before he thinks. He does things one wouldn’t expect—such as the zit popping—and places himself into situations and places where he doesn’t necessarily belong.
His bizarre behavior expresses a childlike need to be a part of something, and I’ll be damned if I’m not completely drawn in by his hunger.
An Unlikely Pair
The tsundere Han Ji Woo and the bizarre Kang Seo Joon make one unlikely pair, and it will be fun to see what each of them brings to the table. Both of them are holding things close to their hearts, expressing their emotions the way they’ve grown comfortable expressing them. While I don’t know where this drama will take me, I have no doubt there will be walls that need broken down and wounds that need to be healed. Privacy will be challenged and hearts will be placed on the line. I feel this is a drama about two very different men with very distinct ways who are seeking the same kind of comfort.
To My Star has all the right ingredients to be great, but like with any good dish, it’s final success will depend on what they give us a little too much of or not enough of. If a plate is too heavy on the salt or too light on the spice, it can ruin a meal.
Find out what the final dish is like in my full series review after the show’s completion. If you’d like to watch with me, please check out To My Star on the WeTV, iQiyi, or Viki app. The app it’s available on depends on the region you live in.
I look forward to watching with you.
To My Star
To My Star does a fantastic job of highlighting the vast divide between the rich and the poor, between those living in the spotlight and outside of it while also holding onto love. It’s intimate in a way we haven’t seen from the Korean BL mini-dramas thus far, and not just in the physical sense.By Regina Ryals
To My Star delivered.
For those who read my first impression of this drama and all of the food references it included, To My Star is definitely a dish that never grows cold. If anything, the taste gets better and better with each spoon fed bite. Starring the delectable Son Woo Hyun as Kang Seo Joon and Kim Kang Min as Han Ji Woo, our unlikely pair not only lit up the screen with their chemistry, they graced it with well-executed emotional acting.
I’ll admit I’m writing this review while still riding the drama high. The clock on the wall is ticking dangerously close to midnight, to a new day and a much drowsier me. My cats are slinking around my chair waiting for me to doze off so they can cause mischief. I fear I’ll read this later and realize nothing makes sense, that I have typed a maelstrom of drama drunk words. And yet, maybe that’s not such a bad thing. To My Star left me feeling warm, emotional, and a little chaotic. I feel like dancing in my kitchen while baking a cake with To My Star’s OST playing in the background.
I am euphoric.
I usually break a series down after watching it, focusing on certain key elements that either set it apart or disappointed me. For this particular drama, I’m going to focus on why To My Star is a game-changer compared to the recent string of Korean BLs.
I bet you read this heading and immediately jumped to the “she’s talking about emotions” conclusion. Well, you’d be partly right. To My Star is heavy on the feels, drawing on fame and mediocrity to create a divide between the two leads while also managing to bridge that same divide with growing love and affection. Ji Woo is a poor chef who depends on the people around him to survive, while Seo Joon is a wealthy celebrity more concerned with the paparazzi than financial woes. They lead very different lives and have very different personalities. Seo Joon is incredibly expressive and has no trouble asserting himself. Ji Woo is quiet and prefers his privacy over social situations.
Oh, but the universe has different plans.
The human heart is an unpredictable organ. There is no rhyme or reason behind what makes the heart beat harder and faster for one person than it does for another. Seo Joon’s quirky, bright personality is precisely what Ji Woo needs in his life. Seo Joon lifts Ji Woo up, drawing him out of the shell he’s hiding in, and there’s nothing more depressing for someone who’s gotten a taste of the sun for the first time than reverting back to the darkness.
Filmed in a style reminiscent of indie projects, To My Star has an altogether different feel to it than the Korean mini-dramas that preceded it. The focus remains mainly on Ji Woo’s apartment with additional scenes at the restaurant where Ji Woo works, the agency where Seo Joon is signed, and a few outdoor locations. However, the apartment is the key. I’ve never felt so attached to a home in a drama before. Although the place is simply a small unit that Ji Woo rents from Kim Pil Hyun (Seo Joon’s agent), it serves a much bigger purpose. It becomes a safe haven, a sanctuary where only Ji Woo and Seo Joon belong.
I refer to Ji Woo’s home as a sanctuary because it’s the place where Seo Joon is sent to hide from the paparazzi and scandal. It is also where Ji Woo resides, his safe haven away from work and the struggles of life. Inside this space, Seo Joon is not the rich celebrity the world knows him to be, and Ji Woo is not the uptight chef we get glimpses of at the restaurant. Inside this space, both of them are vulnerable. Here, we begin to see the cracks forming in Seo Joon’s and Ji Woo’s outward appearances. I really love that To My Star provides this space for us. Ji Woo’s home is brought to life, its walls as much a character inside this drama as the actors themselves.
It’s inside this home that we begin to realize there is more to this story than a celebrity running from reporters and shame. Seo Joon may be wealthy and famous, but he is also dealing with internal fears and invasion of privacy. His money has become worth more to people than his friendship. People use Seo Joon to advance their careers or to relieve their financial burdens. To be honest, I found myself amazed by the smiling face he hid behind. Seo Joon’s carefree, happy personality is a shield that protects the vulnerable, lonely man beneath it. He can’t truly trust the people he encounters, which is why it’s refreshing when he happens upon Ji Woo. Rather than treat Seo Joon with fake regard, Ji Woo expresses disdain when Seo Joon attempts to offer him money. He scolds Seo Joon rather than praising him.
While Seo Joon uses his bubbly personality to hide the vulnerable, fearful man beneath, Ji Woo uses a cold, quiet exterior to hide the sensitive, hungry-for-affection man he’s pretending not to be. Poor and tired of mooching off of people, Ji Woo is exhausted. He is fatigued in a world-weary way that’s immediately apparent. It isn’t until Seo Joon appears that Ji Woo changes. Seo Joon’s quirky need for company draws Ji Woo out of emotional hiding, and the two men form an odd but endearing friendship.
While To My Star does offer more physical intimacy than any of the preceding mini-dramas, this isn’t why it makes it onto my list of key elements. I list it because To My Star offers a close familiarity that goes beyond sex and kisses. To My Star features domesticity in a way that cements Ji Woo’s and Seo Joon’s burgeoning relationship. This drama doesn’t shy away from embarrassingly comfortable domestic scenes. From popping zits to clipping fingernails to cooking together, To My Star said, “Who cares if you find Seo Joon weird? We’re going to keep him that way. Who cares if you find Ji Woo awkward? We like him like this.” And it worked. Strangely, I found Seo Joon’s desire to pop Ji Woo’s neck zit as romantic as their love scene at the end of the drama. It feels realistic.
There is so much I could say about this drama. The supporting characters are as beautifully written and fleshed out as the leads. The antagonists inspire as much empathy as they do hate. The music is spectacular. The cinematography is beautifully done, utilizing warm colors and limited locations to encourage the kind of intimate feel this drama is going for. The chemistry and acting are magnificent. The subjects tackled are relevant. The drama stresses the divide between the rich and the poor as well as the strain money can place on relationships. It also focuses on fame, the scandals fame can bring, and the truths that fame often forces into hiding. Although Ji Woo is lying when he calls Seo Joon gross for liking him (he’s attempting to protect Seo Joon), this drama also touches on internalized homophobia. These are things the recent Korean BLs haven’t touched on until now. Ji Woo and Seo Joon spend every episode communicating with each other and protecting each other.
I could continue babbling and I feel like I still wouldn’t manage to convey the feelings whirling around inside of me. Despite its short length, To My Star offered a full, slow pace story that matured. Ji Woo and Seo Joon are like awkward caterpillars that rolled into a shared cocoon and then broke free as beautiful butterflies. I want to hold them inside the palm of my hands and watch them revel in each other’s company.
Later today—it’s after 1 a.m. now—I will wake up, read this, and realize I left out way too much, but I needed to put this overflow of emotions on paper, and I am glad I did.
To My Star is a hidden gem, a beautiful short drama that delivered in every way possible. It fed me and left me completely and utterly satisfied. If you are interested in checking out Ji Woo and Seo Joon’s journey, you can find To My Star on the Viki and WeTV app. For Filipino fans, it can also be viewed on the iQiyi app. If you love Korean and BL dramas as much as I do, you will not be disappointed. I hope To My Star is the first step toward more extended, more intimate South Korean BL content.
Korea has been killing it with their recent foray into the BL (Boy’s Love) genre. With shows like Where Your Eyes Linger, Mr. Heart, and Wish You, they’ve proven they know how to deliver an intriguing and well-written series. While the level of physical intimacy between the male leads isn’t anywhere near what the Taiwanese or Thai BLs offer, their emotional intimacy level rivals them all. Color Rush is no exception.Review by B.J. Sheldon
Based on the Korean web novel of the same name by Se Sang, Color Rush focuses on two boys brought together by fate. While the series wasn’t perfect, I found myself enjoying it far more than I thought I would.
Choi Yeon Woo is an 18-year-old Mono portrayed by actor Yoo Jun. In the Color Rush world, a Mono is someone with monochromatic vision who only sees the world in various shades of gray. Yoo Jun has appeared in both popular TV series and films in Korea.
Hur Hyun-jun (a.k.a Hwall), a former member of the Kpop group THE BOYZ, portrays Yoo Han. Yoo Han is Yeon Woo’s Probe. A Probe is the one person who can open up the world of colors for their Mono. Although Hyun-jun is a rookie actor, it’s impressive that he tackles such a complicated BL role as his first project.
What I Loved
Yeon Woo lost his father at a young age. Later, his mother, also a Mono, mysteriously disappeared. Living with his aunt, Yeon Woo deals with bullying from classmates whenever his “Mono-ism” is revealed, resulting in frequent school transfers. He builds emotional walls to protect himself. However, after meeting a group of boys at his new school, Yeon Woo discovers that not everyone judges him based on his inability to see color. Over time, his emotional walls begin to crumble.
Trust issues and the fear of ostracization is something people all face at some point, and this story does a great job presenting the struggle. I’ve personally dealt with people I thought liked me for who I was, and yet, when these same acquaintances discovered something about me they thought was weird or unrelatable, they turned their backs on me. Due to this, I put up emotional walls and kept my distance from people for years. It wasn’t until I met sincere friends who truly cared about me that I realized not everyone was as superficial as those from my past. Like me, Yeon Woo was also lucky enough to meet sincere, real friends who accepted him for who he is. This added a much-needed element of reality to a fantasy-based series.
Yoo Han is instantly attracted to Yeon Woo when they meet, and it doesn’t take Yoo Han long to discover he’s a Probe. By removing the face mask he wears, Yoo Han causes Yeon Woo to experience his first color rush. Yeon Woo is both mesmerized and terrified. Monos have a history of becoming obsessed with their Probes, often turning homicidal in an attempt to maintain the color the Probes bring into their lives. Worse yet, Yeon Woo’s confusion is intensified by burgeoning feelings for Yoo Han. At first, Yeon Woo writes off his attraction to the thrill he gets from the color rush. However, over time, Yeon Woo realizes he’s also fallen as much for his Probe’s charms as he has for the colors they share.
There’s a brief period when Yoo Han disappears from school. At first, Yeon Woo feels relieved. He thinks he missed the peace and quiet his Probe replaced with teasing noise. But as the day passes, Yeon Woo realizes he feels lost without Yoo Han. He’s anxious that Yoo Han is not around. Later, Yeon Woo equates Yoo Han’s absence to feeling like an empty shell that’s been cast away. There is an adage that says, “Distance makes the heart grow fonder.” In Yeon Woo’s case, this is undoubtedly true. Being a former military spouse whose husband served two tours of year-long duty, I can attest to distance and fondness. Sometimes, distance makes you understand just what the other person means to you.
When Yoo Han uses his Probe connection to allow Yeon Woo to see the colors in his mother’s painting, I related to Yeon Woo’s reaction. Everyone has one thing they desperately want out of life, whether reaching a goal, meeting someone special, or solving a difficult problem. If we are lucky enough to accomplish our goals, there is an overwhelming sense of relief and satisfaction. I cried with Yeon Woo during this scene because I understood the mix of joy and sorrow he felt. Seeing the blue dress his mother wore in the painting and the yellow headband that adorned her hair is the one thing he wanted most out of life. He wanted to see the portrait the way his father had seen it before he died.
Overall, I enjoyed Color Rush. But there were a few things that left me wondering.
Yoo Han’s POV
We get many internal monologues and voice-overs from Yeon Woo throughout the series, giving us insight into his feelings and past. On the other hand, Yoo Han is a mystery from the beginning. It isn’t until the end that we learn about his family and his face blindness. I love when mystery is built around a character, but it would have been nice to see a few details about Yoo Han’s life and thoughts throughout the series rather than revealing it all at once at the end. As a viewer, I enjoy when little hints are dropped throughout the series, strengthening the mystery while also allowing me enough of a glimpse into a character to piece things together. With Color Rush, all of the focus is on Yeon Woo, leaving little room for hints about Yoo Han.
Yeon Woo’s Mother’s Disappearance
Yeon Woo’s mother’s disappearance bothered me. What happened to Yeon Woo’s mother? Is she alive? Is she dead? Was she kidnapped? Where is she? These questions were never answered, and by the end of the series, it seemed like they no longer mattered. Unless a season two is planned (let’s all hold hands and pray), it seems odd that the writer and director would end the series without answering any of these questions. So much of Yeon Woo’s anguish is centered around his mother that it seems strange she fades forgotten into the background.
I have a love/hate relationship with how the drama concluded. It ended abruptly without all of the questions presented in the series being answered. What did Yeon Woo’s aunt uncover about the Monos who disappeared, including her sister? Did she find any clues about Yeon Woo’s mother? And the friends? What about them? I wanted to know more about the other supporting characters, specifically Kang Min Jae. Kang Min Jae can see the future with the help of his grandfather’s spirit, who resides within him. His character is quirky and entertaining, and it would have been great to see more of him throughout the series.
Yeon Woo and Yoo Han return to school after running away together, spending their days being a happy couple and ditching class to go up to the rooftop. However, there isn’t enough revealed about Yoo Han’s family to help me understand why he isn’t reprimanded more for running away. I can only assume it’s due to their wealth and power, which would create a need to sweep it all under the rug to avoid a public scandal. For these same reasons, I’m confused about why they would allow the two to continue dating when his family is so powerful, especially when Yoo Han is dating another male and a Mono. Monos aren’t viewed favorably by society.
Despite the cons, I expect great things from the two main actors in this series. Hyun-Jun has potential, and I’m excited to see where he goes from here. As for Yoo Jun, his ability to portray a wide range of emotions at such a young age is impressive. His previous acting experience certainly plays a role in his ability to pull off such a complex character.
In the end, I would recommend this drama to others, although I do hope there is a second season to resolve the issues with the first. Color Rush is a must-see rewatch series. If you are interested in watching, please check it out on Viki.